In literature, as in film, a makeover represents a larger, deeper, inner makeover of the heroine’s perspective on life — Tess McGill cuts her hair off and dons 80’s power clothes while simultaneously going after her dream.
Melanie Griffith in Working Girl, 1988, dir. by Mike Nichols, costume design by Ann Roth
(Source: fashion-actually)
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Isn’t this honestly perfect?
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